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Eternelle Musique Classique, Volume 1

by Ludwig van Beethoven

 



Tracks

Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven)
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven)
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven)
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca
Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florenstan, Leonore, Rocco)
Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florenstan)
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab (Don Fernando)
Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Chorus & Soloists)
Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore)
Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
Fidelio, Op. 72: Overture
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: II. Gloria. Allegro con brio
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto
Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Allegro
Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: III. Allegro vivace
Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma non tanto
Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto
Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: IV. Allegro vivace
Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: I. Allegro con brio
Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: II. Adagio
Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: III. Allegro
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro
Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto
Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile
Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto
Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio
Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto
Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace
Symphony No. 1 in C major, Op. 21: IV. Adagio - allegro molto e vivace
Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro